HALESTORM

WAAF Presents

HALESTORM

In This Moment, New Years Day, Stitched Up Heart

Fri, May 11, 2018

Doors: 5:30 pm / Show: 6:30 pm

Tsongas Center at UMass Lowell

Lowell, MA

$35 - $49

This event is all ages

Halestorm
Halestorm
After scoring two top 10 singles ("I Get Off" and "It's Not You") from their self-titled debut and touring steadily for two years with acts as diverse as Shinedown, Stone Sour, Disturbed, Megadeth, Papa Roach, Godsmack and countless others, Pennsylvania quartet Halestorm are back with their second full-length, The Strange Case of…. Musically diverse and emotionally revealing, the album resonates with a newfound poignancy that takes Halestorm to a new level of creative achievement.

"I was extremely proud of Halestorm when we released it, and I still love it, but I think I was using mostly one musical technique throughout," explains frontwoman Lzzy Hale. "We were on 'ten,' and we blew through the songs in a safe way – or as safe as something that goes, 'I get off on you getting off on me' can be. This new record demonstrates more depth and heart. It's a lot more expressive and really lets down the barriers."

Halestorm started writing for the new record while they were on the road in 2010. Then when the band finished the Uproar Tour in May 2011, they entered the studio with producer Howard Benson (3 Doors Down, Seether, Three Days Grace) and tracked one of the heaviest songs of their career, "Love Bites (So Do I)."

"At that time, I decided, 'I'm going to scream my head off and make really gritty songs,'" Hale says. "When we finished 'Love Bites,' the engineer at Howard's studio, Bay Seven, said, 'I'm pretty sure that's the fastest song we've ever done here.'"

Excited by the escalated tempos and raw energy, Hale returned to writing mode and bashed out more anthemic rockers filled with uncompromising rhythms, soaring vocals and searing leads. Then one night at 4 a.m., after enduring a personal setback, she wrote a bare, vulnerable sounding song and recorded it on her cell phone. Flooded by emotion and maybe a glass of wine too many, she immediately emailed the unpolished song to Benson and the band's A&R man.

"The next morning I regretted having sent it because I didn't hear back from them," she says. "And then a day later they got back to me and went, 'Oh, my God, we didn't know you had this in you. Please write more songs like that.'"

Encouraged by the support and inspired by the urge to purge, Hale wrote more intimate numbers, including the sensitive piano ballad "Break In," the sparse and melancholy "In Your Room" and the mid-paced ode "Beautiful With You." She and her band mates also crafted heavier numbers, including "I Miss The Misery," with its start-stop chorus rhythm and confrontational lyrics and "Rock Show," which blazes with euphoric vocals and motivational riffs. That was when Halestorm realized the new collection of songs was somewhat schizophrenic. At first Hale was unsettled by the polarization, then she penned the song "Mz. Hyde" specifically about the two disparate sides of her personality and the album immediately swam into focus.

"When they heard that, the guys went, 'Oh my God, you are Mz. Hyde!'" Hale says. "So suddenly this predicament with having this record that had a split personality was about having a split personality. Sometimes I need a shoulder to cry on, sometimes I need to wear a pair of jeans instead of fishnets. But I also like being powerful and being a leader and yelling, 'Hello, Cleveland.'"

Halestorm recorded The Strange Case of… in three sessions with Benson. By the time they entered the studio for the last time, they had written 56 songs, which they narrowed down to the 17 they tracked. The first single "Love Bites (So Do I)" is a storming rocker that illustrates Hale's individuality, sense of humor, and willingness to represent young women in today's fast-paced society.

"I was talking to this little girl over Twitter who was going through her first breakup, and she was asking me for advice," recalls Hale, who regularly interacts with her fans online. "She typed 'Love Bites,' and I replied, 'Well, so do you, darling. You can still bite back.' It was meant to be an empowering song for people when love goes down the tubes, and I think it's a very realistic way of looking at relationships. Nobody talks about all the crap you have to do to keep something alive or just deal with your boyfriend or girlfriend. They always talk about falling in love or having your heart broken. So this is a way of saying, yes, everything can end, but it's rejuvenating to stand up and go, 'This sucks right now, but it's not going to take me down with it.'"

Other tracks, such as "You Call Me a Bitch Like it's a Bad Thing" and "Freak Like Me" turn epithets into proud slogans, while "Daughters of Darkness" is an admission that women, like men, have their dark side. "Even with the sweetest woman in the world, you click a switch somewhere, and she's a little bit crazy or she has her secrets," Hale says. "And a lot of times you see these girls let all that stuff out at our concerts, which is really gratifying."

One of the most meaningful songs on The Strange Case Of… to Halestorm is "Here's To Us," a declarative mission statement which starts with a delicate arpeggio and builds to a rousing pop/rock refrain. As much as it represents the band, "Here's to Us" was actually an afterthought. "It came together after we already thought the album was complete," Hale says. "It's our 'bottom of the ninth, bases are loaded… home run!' The song is about celebrating the ups and downs of your journey as you go along because even the bad times can be reasons to crack open the champagne."

One reason Halestorm has developed the ability to sound completely self-assured and cohesive whether they're tearing down the rafters or gently massaging a bruised psyche is because they've had plenty of time to hone their craft and celebrate their exceptional chemistry. Hale and her brother and drummer Arejay started the group more than a decade ago when she was 13 and he was just 10. From the very beginning they were in it to win it even though they paid their dues along the way. Back in the day, the members lost a talent show to a tap-dancing cowgirl, played Friendly's for free ice cream, piled the stage with homemade explosives that sometimes went off right in front of their faces, and even played at a funeral.

Halestorm's determination paid off. Before long, they were playing local bars even though they were underage. They secured guitarist Joe Hottinger in 2003 and bassist Josh Smith in 2004, and in 2005, Halestorm signed a deal with Atlantic Records and released the live EP One and Done, which included an early version of fan favorite "It's Not You." The band continued to write, tour and record and in 2009 released their self-titled full-length album. Inspired by Halestorm's exuberance and spirit, the band's loyal legions rapidly grew. They became favorites at rock radio, highlights of music festivals and friends of the multitudes of groups they opened for or headlined with. Halestorm went on to sell more than 300,000 copies.

Backing their monster riffs and euphoric choruses with pure rock and roll attitude, Halestorm followed up their eponymous release with the covers EP ReAniMate. In addition to including aggressive fist-pounders by Skid Row, Guns N' Roses and Temple of the Dog, Halestorm demonstrated their sonic scope with versions of tracks by The Beatles and Lady Gaga. The boundary-stretching was just a prelude to the muscle and sensitivity of The Strange Case Of…

"We've taken everything we can do and stretched it in both directions," Hale says. "This record goes from one song that's just vocal and piano and the lowest and softest I've ever sung all the way up to the highest notes and craziest screaming I've ever done."

As musically advanced as The Strange Case Of… is compared to Halestorm's debut, the band still has plenty of growth left in them and continue to write songs at an alarming rate. "I create all the time," Hale says. "And the four of us are working together more now, so we're really gelling better than ever. We're really excited with how far we've gotten with this album, and we can't wait to see where we can go in the future. It feels like there are no rules or boundaries, and that's the ultimate freedom."
In This Moment
In This Moment
One group that has definitely paid their fair share of dues is the Southern California based quintet IN THIS MOMENT who, through hard work, resiliency and an undying worldwide touring schedule have propelled themselves to the top of the heap of the metal pantheon. They have now returned with their most dynamic and focused offering, which quickly proves that this unit has greatly matured well beyond their years.

IN THIS MOMENT spent the early part of 2010 at The Wolve's Den studio once again with acclaimed producer Kevin Churko (Ozzy Osbourne, Five Finger Death Punch) recording A Star-Crossed Wasteland, an album hailed by Alternative Press as "One of The Most Anticipated Releases of 2010."

The group are extremely excited to be performing on this summer's much anticipated Rockstar Mayhem Tour playing on the Mayhem Festival Stage alongside Korn, Rob Zombie and Atreyu. This tour will mark the start of the group's official, massive worldwide touring cycle.

Chris Howorth (guitars) further states: "The writing process for A Star-Crossed Wasteland was different than on our previous records. This time we had more of a plan and we knew we wanted to write darker heavier songs while still keeping our melodic side. We started working on new music last August right after Warped Tour ended and wrote continuously for five months to get as many song ideas on tape as possible. We ended up with about 15 demo songs. Once we got into the studio with Kevin we dissected everything again to make sure everyone was happy with the arrangements and then started tracking.

"For us, using Kevin Churko was a no brainer, we had such a great experience making The Dream that we didn't even consider using anyone else. I've said it before and I will say it again, Kevin is the man. He is like the Gandolf the Grey or Yoda of producing. He has so much knowledge and is so creative musically we feel like magic happens when we work together.

"I am extremely happy with the end result. We made a record that shows who we are and what we are really about. We feel like it's our defining statement. We really put a lot of effort into making sure the guitars were massive and the drums were slamming while still retaining the depth and melodic layers in the songs. Vocally and lyrically Maria was very emotional and coming from a darker place than on previous albums, and she really poured her heart out and as usual you can tell that it's 100% genuine."

One always hears the same old adage growing up: "believe in your dreams, because dreams really do come true." Well, this statement perfectly defines the life of IN THIS MOMENT's frontwoman, Maria Brink, who always believed that she would become a rock star, and overcome all of the obstacles that stood in her way while having to escape an overall non-positive environment.

Brink, an Albany, NY native, refused to let any of this deter her from achieving her lifelong goal and soon embarked for Los Angeles to begin her musical career. After a number of odd jobs and failed creative partnerships her life soon took a sudden turn upon meeting guitarist Chris Howorth in 2005, as the two immediately realized that they had something special together. This union would soon be rounded out by Jeff Fabb (drums), Blake Bunzel (guitars) and Jesse Landry (bass) to form IN THIS MOMENT, who just three years later performed to a sold-out crowd at the renowned Madison Square Garden opening for Ozzy Osbourne, ultimately proving dreams do come true.

Their invigorating mixture of metal and hard rock quickly caught the attention of metal and hard rock fans alike. The diversity and depth was refreshing and simply undeniable. In 2010, they continue to carve out their own unique and exhilarating chapter in the hard rock genre, laying the foundation for an extremely bright future. Original bassist Jesse Landry left the band after Warped Tour in 2009 to pursue non music related endeavors but Kyle Konkiel quickly joined the fold and instantly became a perfect fit. This group is collectively defined by their undying belief in themselves and this confidence and strength is conveyed perfectly through their new material.

For IN THIS MOMENT, the dream was always to become a worldwide phenomenon and that is something that will never fade, especially with this new effort. If you haven't heard of IN THIS MOMENT, it won't be long until you do because this band is at the brink of greatness.
New Years Day
New Years Day
New Years Day formed in 2005 after bassist Adam Lohrbach left the band Home Grown. Home Grown's final EP, 2004's When it All Comes Down, had diverged from the band's previous style of humorous pop punk and incorporated many emotional elements that Lohrbach carried over into New Years Day. Meeting with vocalist Ashley Costello and guitarist/keyboardist Keith Drover, the three began rehearsing songs that Costello and Lorhbach had written. These songs were heavily influenced by the members' shared emotional experiences, as Lohrbach and Costello had both recently been through difficult relationship break-ups.

The group soon added guitarist Mike Schoolden (formerly of Wakefield) and drummer Russell Dixon and took the name New Years Day.
The band began building a reputation through promotion and posting songs on the MySpace social networking website, and were featured on the MySpace Records Volume 1 compilation CD and in the soundtrack of the video game Saints Row. After considering an offer from the Pete Wentz-run Decaydance Records label, the band signed to TVT Records and released a debut self-titled EP in 2006. Originally referred to as the Razor EP, it was primarily a digital release made available through download services such as iTunes, though CD copies were also available at the band's performances. They also performed at the South by Southwest music festival that same year.

From 2006–2007 New Years Day self-financed and self-produced their debut album My Dear, recorded over an eight-month period at the home of producer Eugene Perreras.[3] The album was released on May 8, 2007 and includes collaborations with members of Reel Big Fish and Motion City Soundtrack. The band's debut music video for the lead single "I Was Right" won an MTVU "Freshman Face" poll and was added to the channel's playlist.

The band started writing new material in early 2009. Around September 2009, NYD posted two new songs on their MySpace page.[8] When asked about a new EP, vocalist Ashley Costello said, "The EP is in its demo phase right now and we are still writing for it and recording it at the same time. The EP should be out in the spring of 2010."

On March 12, 2010, Alternative Press announced that New Year's Day have been added on the Warped Tour's summer dates. New Year's Day released their Japanese debut album called "Headlines & Headstones" on July 2nd, 2010 under Spinning Inc. The album contains music from their first EP, their first LP "My Dear", a Lady Gaga cover and new songs from their upcoming 2nd full-length US album.
Stitched Up Heart
Stitched Up Heart
Stitched Up Heart is an American hard rock band based in Los Angeles, California. The group was founded in 2010 by vocalist Alecia "Mixi" Demner and guitarist Merrit Alfero, later joined by bassist Randy Mathias and drummer James Decker.
Venue Information:
Tsongas Center at UMass Lowell
300 Martin Luther King Jr. Way
Lowell, MA, 01852
http://www.tsongascenter.com